Sequenza (Italian for “sequence”) is the name borne by fourteen compositions for solo instruments or voice by Luciano Berio. The pieces, some of which call for extended techniques, are: Sequenza I (; rev. Edwards, Patti Yvonne, Luciano Berio’s Sequenza III: The Use of Vocal Gesture and the Genre of the Mad Scene. Doctor of Musical Arts (Performance), August. Sequenza III was written in the mid s and is widely available for study and performance, but how can this work be defined? Is it a series of.

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Articles lacking sources from September All articles lacking sources Herio stub articles. Edwards, Patti Yvonne August From Wikipedia, the free encyclopedia. Author Edwards, Patti Yvonne. Retrieved from ” https: The UNT Libraries serve the university and community by providing access to physical and online collections, fostering information literacy, supporting academic research, and much, much more.

This article about a classical composition is a stub.

In Sequenza III I tried to assimilate many sequenxa of everyday vocal life, including trivial ones, without losing intermediate levels or indeed normal singing. Conversely, Sequenza IX grew out of a piece for clarinet and electronics later withdrawnoriginally known as Iij V ; NB it is not the same as the work with the same title which originates from Sequenza XI. Who People and organizations associated with either the creation of this dissertation or its content.


Follow the links below to find similar items on the Digital Library. Sequenza III is a piece very much of its era, paralleling other experiments in vocal music and textual meaning such ili Cage ‘s Aria and Ligeti ‘s Aventures Classical composition stubs Compositions by Luciano Berio Cycles music.

Luciano Berio: Sequenza III

In the Voice Labyrinth. Nel labirinto della voce.

People and organizations associated with either the creation of this dissertation or its content. The text had to be homogeneous, in order to lend itself to a project that consisted essentially of exorcising the excessive connotations and composing them into musical units.

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Description Last Updated June 5,1: Sequenza III, although available on several recordings, is still not performed very often outside the academic community.

There is a very brief text and no actual melody, so where does one begin?

Songs for Seven Centuries. Sequenza Italian for “sequence” is the name borne by fourteen compositions for solo instruments or voice by Luciano Berio. Usage Statistics When was this dissertation last used? Jazz Latin New Age. Folk Songs Sinfonia A-Ronne.


A Garland for Dr.

Sequenza III (author’s note) | Centro Studi Luciano Berio – Luciano Berio’s Official Website

For this reason Sequenza III can also be considered as a dramatic essay whose story, so to speak, is the relationship between the soloist and her own voice Sequenza III was written in for Cathy Berberian.

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Several of these pieces became the basis of larger works: Writing about my method of preparation will work to allay some of my own and other performer’s fears about attempting this unusual repertory. College of Music Grantor: Drinking Hanging Out In Love.

By using this site, you agree to the Terms of Use and Privacy Policy. Item Type Thesis or Dissertation. Identifier Unique identifying numbers for this dissertation in the Digital Library or other systems.

Genre Vocal Music Classical. In Memoriam Cathy Berberian. There is only a small body of scholarly literature about Luciano Berio.